Revision as of 16:23, 24 October 2015

Delhi: The Luv Kush Ramlila; Graphic courtesy: The Times of India, October 18, 2015

Delhi: The Luv Kush Ramlila; Graphic courtesy: The Times of India, October 18, 2015

Delhi: The Luv Kush Ramlila; Graphic courtesy: The Times of India, October 18, 2015

Delhi: The Luv Kush Ramlila; Graphic courtesy: The Times of India, October 18, 2015

Delhi: The Luv Kush Ramlila

The Times of India, October 18, 2015

Dharvi Vaid  Months of effort go into the staging of a Ramlila. TOI takes a peek backstage

Gasps and cheers fill the ground when Ganesha appears in the night sky in a psychedelic burst of light. Dancers in shiny , colourful costumes keep step as a hydraulic crane lowers the idol to the accompaniment of a live bhajan. The crowd is on its feet humming Ganesh Vandana while tiny, piercing phone flashes go off all around. The night is off to a successful start at the Luv Kush Ramlila outside Red Fort. The legend cannot change, but every year the many Ramlila committees in the city vie to outdo each other in its treatment. Ramlilas get bigger and, arguably , better. And this year's Lav Kush Ramlila--now in its 37th year--is the biggest ever. Mounted with a budget of Rs 3 crore, it has 30 television and Bollywood actors in the cast, special effects and stunts never seen before.

But it's one thing to plan big and another to ensure that the show runs as planned. And that means starting work months in advance. It is impossible to tell from the effortless scenes how much work has gone into making them possible. TOI goes behind the scenes to give you a peek into the making of a mega Ramlila.

The Luv Kush Ramlila Committee, which organized its first Ramlila in 1979, starts planning the year's theme and new elements in January , followed by decisions about the design of sets and the look of the artistes. Then comes the shopping in Sadar Bazaar. “It takes months to shop because we have to buy everything from the dresses to the props,“ says Sanjay Sharma, who runs the show backstage.

The best actors have to be engaged early . This year, they have hired 70 actors and 15 dancers.“Most of them come from Filmistan in Karol Bagh and are seasoned Ramlila actors,“ says Lovekesh Dhaliwal, assistant director of the show and a 12year veteran.

Auditions follow and roles are assigned, but the actors don't go into dialogue boot camp until a month before Navratras.“It is not television. There are no breaks, cuts and edits. We perform live and so there is no room for er so there is no room for error,“ says Dhaliwal. Some dialogues run into pages and are peppered with Sanskrit slokas. Voice modulation is the key to keep them from becoming boring monologues.

“To play a rakshasa, you need a booming voice that strikes fear in the audience; for a positive role it has to be deep but mellifluous,“ says Sunny Verma, who is playing Lakshmana.

Most artistes are not pros. They have day jobs but are passionate about acting. Which explains why they put in weeks of labour for a pittance. “We get only about Rs 10,000 for the entire Ramlila, but do it as an act of devotion,“ says a woman artiste who has been in Ramlilas for the past 10 years. Verma is a supervisor in a private firm. “I try to finish my work early so that I can come here and practise,“ he says. It's tougher for actors who play multiple roles.

Dhaliwal stays backstage but as the prompter he keeps the show ticking over when artistes falter.The Ramlila actors still don't use in-ear devices.“Goof-ups happen all the time. The lights and the audience make actors nervous,“ he says.

Kumar Gowda, who worked with BR Films in the hit TV series Mahabharata, is the stunts and special effects whiz. “I have worked with Rajinikanth and Kamal Hassan but a live performance is a different kind of challenge. A Ramlila action sequence is about magic, and fire and aerial acts, not fistfights.“

Gowda has brought equipment and professional stuntmen from Mumbai and has several scenes t e a l e r s lined up. He will show Ahilya transform into a living person from a statue, Hanuman fly over the audience and Meghnad appear at different places in mid-air using spotlights. The audience has already seen a stuntman on fire. Dangerous acts have made strong harnesses, safety mats, sand, water and fire extinguishers musthaves on the stage.

Costumes are as important as artistes and props in bringing alive a performance. The Luv Kush Ramlila has 18 trunks full of clothes and jewellery, and a resident tailor for last-minute fixes. “Each lehanga costs from Rs 5,000 to Rs 10,000 depending on how ornate it is,“ says Nandita Rani, one of the two women who look after costumes. The Ramlila has about 40 female artistes.

There are four makeup artists for the cast. One of them, Sumit Kumar, was to play Rama before TV actor Gagan Malik was roped in for the role. The Ramlila look requires thick coats of foundation and swatches of lipstick. “Makeup has to be bright enough for the expressions to be visible,“ says Kumar. And it has its nuances too. “The tilak has to be different for different characters. Lakshmana's eyebrows have to be defined and sleek while a rakshasa's have to be thick and drooping.“

Stunts and fine acts draw crowds but a Ramlila is also a night out for the audience, and it's incomplete without a `mela' atmosphere. There have to be rides and eats and knickknacks, and the grounds of the Luv Kush Ramlila have it all, from Ferris wheels to faluda. The curtain comes down late at night but when children return home armed with toy bows, arrows, swords and maces from the mela, the show resumes at home in the morning.

Mumtaznagar Ramlila

The Times of India, Oct 19 2015

Muslims holding Ramlila here since 1963

For 50-odd years Mumtaznagar Ramlila here has exemplified inter-com munity goodwill. Held in a Muslim neighbourhood, this Ramlila has been managed and largely enacted by Mus lims. For two years, however Muslims have been barred from playing main charac ters like Ram, Sita, Laksh man and Hanuman. The rea son: they eat meat. “Some local people object ed to Muslims performing lead roles in Ramlila,“ said Majid Ali, president of the Ramlila committee.

“Their objection was that since Muslims eat meat, they shouldn't enact the role of gods. When we came to know about the objections, we eased them out,“ Ali told TOI. Baldhari Yadav, a senior member of the Mum taznagar Ramlila committee, said women spectators worship the actors playing Lord Ram, Lakhsman, Sita and other gods by touching their feet and seeking their blessings.

Keeping in view their re ligiosity, Muslims who eat meat have been replaced by Hindus who, even if they are meat-eaters, turn vegetarians during Navratra. “But Muslims continue to play smaller parts,“ Yadav said.

The Ramlila here has sustained the same zeal since 1963. Tailor Naseem, with his limited income, starts taking extra orders before Navratra to fund the 10-day affair. He is supported by other Muslims.