Colour films in South Asia
| (27 intermediate revisions by one user not shown) | |||
| Line 1: | Line 1: | ||
| + | {| class="wikitable" | ||
| + | |- | ||
| + | |colspan="0"|<div style="font-size:100%"> | ||
| + | |||
| + | Readers can send additional information, corrections, photographs and even<br/> complete articles on new subjects to the Facebook page, [http://www.facebook.com/Indpaedia Indpaedia.com]. <br/> If found suitable, this additional information will be incorporated into the <br/> related Indpaedia article (with an acknowledgement) or a new entry will be<br/> created (also with due acknowledgement). | ||
| + | |||
| + | Readers will be able to edit existing articles and post new articles directly <br/> on their online archival encyclopædia only after its formal launch. </div> | ||
| + | |} | ||
| + | |||
| + | [[File: La Vie et la passion de Jésus Christ.jpg|La Vie et la passion de Jésus Christ (1903/ France), the world’s first colour motion picture|frame|500px]] | ||
| + | [[File: With Our King and Queen Through India2.jpg|With Our King and Queen Through India: a print has been discovered in Russian archives. The film probably reached there because the Russian royals were close to the British ruling family |frame|500px]] | ||
| + | |||
| + | =Colour films worldwide= | ||
| + | La Vie et la passion de Jésus Christ (aka ‘The Passion Play ‘and ‘Vie et Passion du Christ’) (France, 1903), was the world’s first colour (Pathéchrome) film. | ||
| + | |||
| + | The world’s second colour (Kinemacolor) film was shot in South Asia---‘With Our King and Queen Through India’ (aka The Durbar at Delh) (UK, 1912). This was a six-hour documentary about the Delhi Durbar. Kinemacolor was a two-colour system. | ||
| + | |||
| + | ‘The World, the Flesh and the Devil’ (UK, 1914/ Kinemacolor) was the world’s first narrative feature in natural colour. | ||
| + | |||
| + | Going by the ‘List of early color feature films’ on [http://en.wikipedia.org/wiki/List_of_early_color_feature_films Wikipedia], it is seen that between 1903 and 1935—around when Indian cinema entered the colour era—colour films had been made, in chronological order, in France, the UK, the USA, Italy and Germany. | ||
| + | About the first Soviet/ Russian colour film, all that a Google search yields is that it was made ‘in the 1930s.’ To its credit, the Soviet film industry independently developed a three-colour system, patented by Pavel Mershin, which was used widely in the late 1930s. [http://www.intellectbooks.co.uk/journals/view-Article,id=13816/ Intellectbooks] | ||
| + | |||
| + | The first Chinese colour film, Fei Mu’s ‘Remorse at Death,’ was released in 1948; and the first Japanese colour film, Keisuke Kinoshita’s ‘Carmen Comes Home,’ in 1951. | ||
| + | |||
| + | Thus, arguably, South Asia was the sixth region to have produced a colour film; at most seventh, if firmer dates about the first Soviet colour film indicate otherwise. | ||
| + | |||
| + | |||
= Afghanistan= | = Afghanistan= | ||
Afghanistan has been making colour films since the late 1960s, notably | Afghanistan has been making colour films since the late 1960s, notably | ||
| − | These include Akharin Arezo (Last Wishes), Hamaasa e Ishg (An Epic of Love), Faraar (The absconder), Khakestar (Ash), Paranda Mohajer (Migratory Birds) and Saboor Sarbaaz (Saboor Soldier). | + | These include Akharin Arezo (Last Wishes), Hamaasa e Ishg (An Epic of Love), Faraar (The absconder), Khakestar (Ash), Paranda Mohajer (Migratory Birds) and Saboor Sarbaaz (صبور سرباز Saboor Soldier). |
| − | [[File: Saboor Sarbaaz.jpg| Saboor Sarbaaz | + | [[File: Saboor Sarbaaz.jpg| Saboor Sarbaaz (Saboor The Soldier) 1985, Afghanistan |frame|500px]] |
[[File: Khakestar-o-khak, 2004.jpg| Khakestar-o-khak, 2004, Afghanistan |frame|500px]] | [[File: Khakestar-o-khak, 2004.jpg| Khakestar-o-khak, 2004, Afghanistan |frame|500px]] | ||
| + | [[File: sangamPak.png| '' Sangam,'' undivided Pakistan’s first colour film|frame|500px]] | ||
[[File: Panj Darya (Pakistan, 1968).jpg| Panj Darya (Pakistan, 1968) |frame|500px]] | [[File: Panj Darya (Pakistan, 1968).jpg| Panj Darya (Pakistan, 1968) |frame|500px]] | ||
| + | [[File: Jean Renoir's Le Fleuve (The River).jpg|Jean Renoir's Le Fleuve (The River): the timeless richness of Technicolor).|frame|500px]] | ||
[[File: Ranmuthu Duwa.jpg| Ranmuthu Duwa/ Sinhalese/ 1962 |frame|500px]] | [[File: Ranmuthu Duwa.jpg| Ranmuthu Duwa/ Sinhalese/ 1962 |frame|500px]] | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
=Bangladesh and Pakistan= | =Bangladesh and Pakistan= | ||
| − | In 1964 when Zahir Raihan‘s colour opus Sangam (Urdu) was released, Pakistan and Bangladesh were one nation state, and Bangladesh was called East Pakistan. Sangam can, therefore, be considered the first colour film of both countries because it was produced in East Pakistan. (By the same logic both nations should claim Kisan Kanya as their first colour film.) | + | |
| + | In 1964 when Zahir Raihan‘s full-length (tamaam rangeen) colour opus Sangam (Urdu) was released, Pakistan and Bangladesh were one nation state, and Bangladesh was called East Pakistan. Sangam can, therefore, be considered the first colour film of both countries because it was produced in East Pakistan. (By the same logic both nations should claim Kisan Kanya as their first colour film.) | ||
| + | |||
| + | Though only a few scenes of ''Eid Mubarak'' (1965) were in colour, it is sometimes referred to as the first colour film of (West) Pakistan. | ||
| + | |||
| + | Naila, 1965, was the next entirely-in-colour film. In Pakistan colour became the norm in the early-seventies. | ||
See also [[CinemaScope and 70mm films]] | See also [[CinemaScope and 70mm films]] | ||
| − | + | ||
| + | =India= | ||
Kisan Kanya (lit: the peasant girl; 1937/ Dir: Moti B. Gidvani; prod. Ardeshir Irani) was arguably the first colour film of India and of South Asia. | Kisan Kanya (lit: the peasant girl; 1937/ Dir: Moti B. Gidvani; prod. Ardeshir Irani) was arguably the first colour film of India and of South Asia. | ||
| + | |||
| + | Jean Renoir's Le Fleuve (The River) (1951/ France) was the first Technicolor film shot wholly in India or any part of South Asia. However, it was an English-language film from France and not an indigenous film. | ||
See [[Colour films in South Asia]]: 3-- Hindi-Urdu films in colour | See [[Colour films in South Asia]]: 3-- Hindi-Urdu films in colour | ||
| Line 20: | Line 62: | ||
A colour documentary film on the "Sixth Buddhist Synonage" is considered the first colour film of the Myanmar cinema industry. | A colour documentary film on the "Sixth Buddhist Synonage" is considered the first colour film of the Myanmar cinema industry. | ||
| − | The first colour feature film "Chit Khai tar ahman par bei" (It's true we have loved) was produced by Yangon Film Company in 1958. This makes Burma/ Myanmar a pioneer among South Asian films because its first colour feature film was released before any other South Asian country had made a colour film (except India’s Hindi-Urdu industry, | + | The first colour feature film "Chit Khai tar ahman par bei" (It's true we have loved) was produced by Yangon Film Company in 1958. This makes Burma/ Myanmar a pioneer among South Asian films because its first colour feature film was released before any other South Asian country had made a colour film (except India’s Hindi-Urdu industry, only two year after India’s gigantic Tamil industry, and five years before the massive Telugu industry, on most counts India's second biggest). |
(No photograph available. Can any reader help? ) | (No photograph available. Can any reader help? ) | ||
| Line 33: | Line 75: | ||
=Sri Lanka= | =Sri Lanka= | ||
| + | Henry Chandrawansa the producer and director of the first Sri Lankan Tamil film Samuthayam (Society) (1962), was a Sinhalese. Such was Sinhala-Tamil brotherhood in those days that the producer of the first Sinhala film was a Tamilian. Samuthayam was in 16 mm and in colour, according to one source in Technicolor. (No photograph available. Can any reader help? ) | ||
| + | |||
Ranmuthu Duwa (Island of Treasures) (Sinhalese/ 1962) was the first full-length colour film language to be produced in Sri Lanka. | Ranmuthu Duwa (Island of Treasures) (Sinhalese/ 1962) was the first full-length colour film language to be produced in Sri Lanka. | ||
| + | |||
| + | |||
| + | ----------------- | ||
| + | |||
| + | ==See also== | ||
| + | |||
| + | [[CinemaScope films in Bangladesh, India, Nepal, Pakistan, Sri Lanka]] I.e. the first part of this article | ||
| + | |||
| + | [[70mm films in India/ South Asia ]] | ||
| + | |||
| + | [[Cinerama theatres in India, Pakistan, Sri Lanka]] | ||
| + | |||
| + | [[3D films in South Asia ]] | ||
| + | |||
| + | [[Colour films in South Asia]] | ||
| + | |||
| + | [[Colour films in India]] | ||
| + | |||
| + | [[Colour films in Hindi-Urdu]] | ||
| + | |||
| + | |||
| + | |||
| + | [[Category:Afghanistan |C]] | ||
| + | [[Category:Bangladesh|C]] | ||
| + | [[Category:India|C]] | ||
| + | [[Category: Myanmar|C]] | ||
| + | [[Category:Nepal|C]] | ||
| + | [[Category:Pakistan|C]] | ||
| + | [[Category:Sri Lanka|C]] | ||
| + | [[Category:History|C]] | ||
| + | [[Category:Cinema-TV-Pop|C]] | ||
Latest revision as of 17:28, 19 July 2014
Readers can send additional information, corrections, photographs and even on their online archival encyclopædia only after its formal launch. |
Contents |
[edit] Colour films worldwide
La Vie et la passion de Jésus Christ (aka ‘The Passion Play ‘and ‘Vie et Passion du Christ’) (France, 1903), was the world’s first colour (Pathéchrome) film.
The world’s second colour (Kinemacolor) film was shot in South Asia---‘With Our King and Queen Through India’ (aka The Durbar at Delh) (UK, 1912). This was a six-hour documentary about the Delhi Durbar. Kinemacolor was a two-colour system.
‘The World, the Flesh and the Devil’ (UK, 1914/ Kinemacolor) was the world’s first narrative feature in natural colour.
Going by the ‘List of early color feature films’ on Wikipedia, it is seen that between 1903 and 1935—around when Indian cinema entered the colour era—colour films had been made, in chronological order, in France, the UK, the USA, Italy and Germany. About the first Soviet/ Russian colour film, all that a Google search yields is that it was made ‘in the 1930s.’ To its credit, the Soviet film industry independently developed a three-colour system, patented by Pavel Mershin, which was used widely in the late 1930s. Intellectbooks
The first Chinese colour film, Fei Mu’s ‘Remorse at Death,’ was released in 1948; and the first Japanese colour film, Keisuke Kinoshita’s ‘Carmen Comes Home,’ in 1951.
Thus, arguably, South Asia was the sixth region to have produced a colour film; at most seventh, if firmer dates about the first Soviet colour film indicate otherwise.
[edit] Afghanistan
Afghanistan has been making colour films since the late 1960s, notably These include Akharin Arezo (Last Wishes), Hamaasa e Ishg (An Epic of Love), Faraar (The absconder), Khakestar (Ash), Paranda Mohajer (Migratory Birds) and Saboor Sarbaaz (صبور سرباز Saboor Soldier).
.jpg)
.jpg)
[edit] Bangladesh and Pakistan
In 1964 when Zahir Raihan‘s full-length (tamaam rangeen) colour opus Sangam (Urdu) was released, Pakistan and Bangladesh were one nation state, and Bangladesh was called East Pakistan. Sangam can, therefore, be considered the first colour film of both countries because it was produced in East Pakistan. (By the same logic both nations should claim Kisan Kanya as their first colour film.)
Though only a few scenes of Eid Mubarak (1965) were in colour, it is sometimes referred to as the first colour film of (West) Pakistan.
Naila, 1965, was the next entirely-in-colour film. In Pakistan colour became the norm in the early-seventies.
See also CinemaScope and 70mm films
[edit] India
Kisan Kanya (lit: the peasant girl; 1937/ Dir: Moti B. Gidvani; prod. Ardeshir Irani) was arguably the first colour film of India and of South Asia.
Jean Renoir's Le Fleuve (The River) (1951/ France) was the first Technicolor film shot wholly in India or any part of South Asia. However, it was an English-language film from France and not an indigenous film.
See Colour films in South Asia: 3-- Hindi-Urdu films in colour
[edit] Myanmar
A colour documentary film on the "Sixth Buddhist Synonage" is considered the first colour film of the Myanmar cinema industry.
The first colour feature film "Chit Khai tar ahman par bei" (It's true we have loved) was produced by Yangon Film Company in 1958. This makes Burma/ Myanmar a pioneer among South Asian films because its first colour feature film was released before any other South Asian country had made a colour film (except India’s Hindi-Urdu industry, only two year after India’s gigantic Tamil industry, and five years before the massive Telugu industry, on most counts India's second biggest).
(No photograph available. Can any reader help? )
[edit] Nepal
Kumari (the first Eastman color Nepali film) was released in 1978
(No photograph available. Can any reader help?)
[edit] Pakistan
[edit] Pakistani Punjabi
The first ever Punjabi film to be made in colour in Pakistan was Panj Darya. It was released in the year 1968.
[edit] Sri Lanka
Henry Chandrawansa the producer and director of the first Sri Lankan Tamil film Samuthayam (Society) (1962), was a Sinhalese. Such was Sinhala-Tamil brotherhood in those days that the producer of the first Sinhala film was a Tamilian. Samuthayam was in 16 mm and in colour, according to one source in Technicolor. (No photograph available. Can any reader help? )
Ranmuthu Duwa (Island of Treasures) (Sinhalese/ 1962) was the first full-length colour film language to be produced in Sri Lanka.
[edit] See also
CinemaScope films in Bangladesh, India, Nepal, Pakistan, Sri Lanka I.e. the first part of this article
70mm films in India/ South Asia
Cinerama theatres in India, Pakistan, Sri Lanka
Colour films in South Asia
